The archive
Everything we have made, laid out in order, once a year.
Lookbooks, campaigns and how the clothes are made
Everything we have made, laid out in order, once a year.
Nine garments sent back to be mended rather than replaced, photographed before and after.
Shot on the last warm weekend of the year, entirely in daylight, entirely outdoors.
One fleece, from a farm in the Cotswolds to the finished coat, photographed at every stage it changed hands.
A day with the pattern cutter who has made every block we sell since 2019.
Sixteen pieces photographed over two mornings in an empty flat, in daylight, with nothing steamed.
Every component we will sell you separately, and what each one costs — the page most manufacturers do not have.
Choosing a battery for a product means choosing a part that has to be buyable in 2034.
What a support commitment costs to keep, written out, because most of them are quietly abandoned in year three.
Everything sent back for repair in a year, sorted by what actually failed.
The rig that measures each headphone before it is boxed, and why a reference sample is not good enough.
Two years spent designing a keyboard controller board that anybody can reflash, and publishing every revision that failed.
Fourteen months from an eleven-carat emerald bought at auction to a necklace built around it.
What hand-finishing a skeleton movement involves, hour by hour, and why a machine cannot do it.
A machine from 1911, still in daily use, and why the workshop was built around it rather than the other way round.